Abstract
Developing and presenting performance within the frame of Practice as Research leads to the creation of two media –the art work and its written account, including details of background research. Research on and through the intersubjective relations between animal and (gendered) human body(ies), from the Paleolithic on, incorporates visceral response, the nature of touch, and questions of empathy and representation.
How to Cite:
Heywood, N., (2012) “Museum of the Sublime: Relic # 5: Notes Towards a Fragmented Performance”, Animal Studies Journal 1(1), 83-94.
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