Volume 24 • Issue 1 • 2020
article
Contents & Introduction, Law Text Culture, volume 24
James Parker, Sara Ramshaw and Mehera San Roque
2020-01-01 Volume 24 • Issue 1 • 2020 • 1-8
how are you today by the Manus Recording Project Collective
James EK Parker and Joel Stern
2020-01-01 Volume 24 • Issue 1 • 2020 • 9-49
Interview: André Dao and Behrouz Boochani
André Dao and Behrouz Boochani
2020-01-01 Volume 24 • Issue 1 • 2020 • 50-59
What I Heard About Manus Island (When I Listened to 14 Hours of Recordings from Manus Island)
André Dao
2020-01-01 Volume 24 • Issue 1 • 2020 • 60-78
Beyond the Horizon of the State: Listening to offshore detention’s longue durée
Poppy de Souza
2020-01-01 Volume 24 • Issue 1 • 2020 • 79-95
Listening beyond the border: Self-representation, witnessing, and the white sonic field
Andrew Brooks
2020-01-01 Volume 24 • Issue 1 • 2020 • 96-116
Carceral atmospheres on Manus Island: Listening to how are you today
Emma K Russell
2020-01-01 Volume 24 • Issue 1 • 2020 • 117-137
Mediating Punishment? Prisoners’ Songs as Relational ‘Problem-Solving’ Devices
Phil Crockett Thomas, Jo Collinson Scott, Fergus McNeill, Oliver Escobar, Lucy Cathcart Frödén and Alison Urie
2020-01-01 Volume 24 • Issue 1 • 2020 • 138-162
Acoustic Surveillance in Brazil: The Car Wash Operation Panacousticon
Leonardo Cardoso
2020-01-01 Volume 24 • Issue 1 • 2020 • 163-190
The Life and Death of a Protest Anthem at the Frontier of a New Cold War
Janny HC Leung
2020-01-01 Volume 24 • Issue 1 • 2020 • 191-226
Gnostics of the North, or Music To Recolonize Your Anxious Capitalist Dreams By
Seth Kim-Cohen
2020-01-01 Volume 24 • Issue 1 • 2020 • 253-273
‘Shoot the Boer’ – Hate Speech, Law and the Expediency of Sound
Veit Erlmann
2020-01-01 Volume 24 • Issue 1 • 2020 • 274-301
‘Listening intently’ to LGBTQI Lives: diplomatic narratives of listening and hearing in LGBTQI rights.
Kay Lalor
2020-01-01 Volume 24 • Issue 1 • 2020 • 302-327
Earwitnessing the Queer Acoustics of Public Space: Law, Sex and Nature in Ultra-red’s Second Nature
David C Jackson
2020-01-01 Volume 24 • Issue 1 • 2020 • 328-363
Glitching justice: Audio visual links and the sonic world of technologised courts
Carolyn McKay
2020-01-01 Volume 24 • Issue 1 • 2020 • 364-404
Acoustic injustice: The experience of listening to indistinct covert recordings presented as evidence in court
Helen Fraser and Debbie Loakes
2020-01-01 Volume 24 • Issue 1 • 2020 • 405-429
Alexa and the Making of the Neoliberal Ear
Audrey Amsellem
2020-01-01 Volume 24 • Issue 1 • 2020 • 430-454
The sound of the perpetrator – thoughts on trauma and voice in Big Little Lies
Juliet Rogers
2020-01-01 Volume 24 • Issue 1 • 2020 • 455-479